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| Two Online Exclusives |
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Recital Time Motivation |
| By Rhee Gold |
| For many Dance Studio Life readers, it’s
recital time—the crazy point of the season.
There’s choreography to finish, costumes to be
altered—and we all know that the parents need
just a bit more time to pay their tuition (even
those who have owed since January!). But . . .
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Gifts That Lasted a Lifetime |
| Dance Studio Life readers on the
greatest gifts their dance teachers gave them. |
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Teacher in the Spotlight-Amy Leigh Hall |
| My goal is to develop the
potential of each individual while enhancing their love
of dance. I encourage each student to challenge their
abilities and growth while respecting and supporting
their peers inside the classroom and out. |
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Readers' Guide to Advertisers |
| These are the companies who make
Dance Studio Life possible; please let them know you
appreciate it! |
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Tips for Teachers: Using Demi-Plie'
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By Mignon Furman
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A demi-plié provides both spring and momentum in allegro
work, making fast steps easier, jumps higher, and landings
softer.
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Summer Survival Guide |
| By Rhee Gold |
| At this point in the season, the journey seems exciting
and no one can wait. However, the reality is that these
excursions can be very stressful for teachers—keeping 30 young
dancers and their parents under control for a week can be a
daunting task. |
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The Pros and Cons of Opening a Dance Studio Before Age 30
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| Edited by Nancy Wozny |
| Young people today have many options when it comes to
entrepreneurial careers, and owning a dance studio is a popular
one. Considering its physicality and long hours, it’s a career
that seems to suit the young quite well. Fearlessness and
technical savvy come into play as well. |
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Thinking Out Loud: A Future for Modern Dance |
| By Lisa Traiger |
| As ambassadors of dance, teachers not only build the
next generation of dancers, they stand at the forefront of
creating the next generation of dance audiences plus board
members. |
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Gerri Houlihan: Weaving a Life in Dance |
| By Nancy Wozny |
| Gerri Houlihan barely remembers a time when she wasn’t
teaching; her paths of development as teacher and dancer were
inexorably woven together. “In high school I got out of physical
education by teaching modern dance,” says this widely respected
teacher. “And it seems I was always teaching ballet at my local
studio, which was part of the Fred Astaire franchise. I always
felt extremely comfortable teaching.” |
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Check out these other Rhee Gold Company
Websites
www.thedanceteacherstore.com
www.dancelifeteacherconference.com |